The artist’s research-based group of works on paper commemorate the upcoming 57th anniversary of the April 1965 revolution and U.S. invasion of the Dominican Republic.

The artist discusses her recent exhibition, “Ode to the Unclaimed Dead,” and the broader examination of grief within her art practice amid pandemic and war.

In the painting “Group Selfie,” the artist invites the viewer “to search for the infinite within the multiple selves that exist in the mirror.”

The Bronx-based Ecuadorian artist discusses the evolution of their recent site-specific installation, which challenges spectators to face the border as a structure of oppression and separation.

The Wall Las Memorias AIDS monument, the first publicly funded AIDS monument in the nation, contains the names of more than 360 people who have died from AIDS, including the names of many Latinos from the surrounding neighborhood of Lincoln Heights.

After participating in El Museo del Barrio’s 2020/21 Triennal, the Puerto Rican trans artist discusses their art practice in relationship to decolonization, anti-racism, anti-capitalism, and the abolition of the binary.

Following her recent exhibition presented by TSA Chicago and Transmitter, the Chicago-based interdisciplinary artist discusses mapmaking as a form of documentation, the influence of public art, and researching her Mexican roots to find cross-cultural connections.