The Wall Las Memorias AIDS monument, the first publicly funded AIDS monument in the nation, contains the names of more than 360 people who have died from AIDS, including the names of many Latinos from the surrounding neighborhood of Lincoln Heights.

After participating in El Museo del Barrio’s 2020/21 Triennal, the Puerto Rican trans artist discusses their art practice in relationship to decolonization, anti-racism, anti-capitalism, and the abolition of the binary.

Following her recent exhibition presented by TSA Chicago and Transmitter, the Chicago-based interdisciplinary artist discusses mapmaking as a form of documentation, the influence of public art, and researching her Mexican roots to find cross-cultural connections.

A profile of the San Francisco based artist on how their work with papier-mâché masks connects with themes of Mexican-American identity, the American dream, queer sexuality, and more.

Moises Salazar shares how they’re leaning into healing, the pleasure in being a maximalist with their art practice, and why anyone can find themselves in their faceless colorful subjects.

Artist Jorge González discusses his project, Bateyes del Chibal, which is part of Protocinema’s multi-city group exhibition, “A Few in Many Places.”

The L.A. based photographer discusses their work documenting the queer brown experience in Latinx and Mexican-American communities.

This year marks the 25th anniversary since the opening of “La Gringa” at El Repertorio Español in Lower Manhattan. We interviewed playwright Carmen Rivera on her signature work.