Photo by Antonia Holton-Raphael
Intervenxions is an online publication of TLP that features original writings, criticism, and interviews exploring contemporary Latinx Art, Politics, & Culture.
Art as Political Education: A Conversation with Nitza Tufiño
A founding member of Taller Boricua reflects on the relationship between art and political education as the famed New York City print shop celebrates its 50th anniversary with a new exhibition at El Museo del Barrio.
Blackness Is Not Site Specific: An Interview with Anna Parisi
The Brooklyn-based artist discusses “Caught in the Act,” a recent video performance exploring themes of racialized bodies, systemic oppression, utopian metaphor, and the history of slavery in Brazil.
Adopting Performance: A Conversation with Benjamin Lundberg Torres Sánchez
A discussion of adoption and foster care abolition, performance art and the body, exploring identity and ancestry as a transnational adoptee, and much more.
Queerness and Blackness in the Archive: An Interview with Felicita “Felli” Maynard
An interview with Brooklyn-based, genderqueer Afro-Latinx interdisciplinary artist, student, and educator Felicita “Felli” Maynard on their recent work with wet plate photography to create a fictional archive asserting the historicity of queer and trans Black identity.
Jose Campos’ Studio Lenca: Creating Salvadoreño Visibility in the UK
An interview with UK-based artist-teacher Jose Campos, whose practice “amplifies the history and culture of his native El Salvador through contemporary portraiture and social practice-inspired installations.”
Reclaiming Our Identity: Q&A with Afro-Cuban Artist Harmonia Rosales
Gallery Gurls founder Jasmin Hernandez interviews the Afro-Cuban artist on her most recent show, “Miss Education: Reclaiming Our Identity,” at the Museum of Contemporary African Diasporan Arts in Brooklyn.
Navigating Colonial Histories: A Conversation with Edra Soto
Exhibition Reviews
Book Reviews
Politics
Arts & Community
Queer Studies
Film & TV
Afro-Latinx Studies
Focusing on portraiture and landscape, Báez deeply understands how to use art and creolized forms to ascend above displacement.
Alford’s clarity about the relevance of Blackness to Latinx identity serves as a balm for feeling invisible to raceless Latina authors.
The ‘NEGRITA’ doc uses the racial descriptor as an entry point to discuss the lasting effects of colonialism in Latin America, the Caribbean, and its diasporas
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Submission & Editorial Guidelines
Intervenxions is an online publication of TLP that features original writings, criticism, and interviews exploring contemporary Latinx Art, Politics, & Culture. We accept pitches on a rolling basis.
Please read our submission guidelines to learn more.
See our masthead here.