The Rompeforma festival celebrated dance, movement, visual arts, and performances that defied traditional disciplinary norms, challenged boundaries, and embraced experimental fugues.

‘Embodied Memories, Ancestral Histories’ is Juana Valdés’s first comprehensive solo museum exhibition.

‘Build what we hate. Destroy what we love,’ an apexart open call exhibition curated by Fabiola R. Delgado, immerses visitors in the intricate narrative of forced pilgrimage.

Deeply rooted in a sense of place, the casitas Puerto Ricans created emerge as architectures of resistance that transpose embodied knowledge into continuous elements woven into the urban fabric.

Though gender, colonialism, Santería, and racialization play leading roles in Castro’s work, it is spirituality that brings them together and activates them with different purposes.