Alford’s clarity about the relevance of Blackness to Latinx identity serves as a balm for feeling invisible to raceless Latina authors.

With the Puerto Rico–based, Cuba-born artist Sánchez, we see work that gestures to the female body in its ever-changing forms.

A simple prompt is at the center of Claudia Claremi’s La memoria de las frutas: Recall a memory with a rare fruit.

On the spatial imaginary of The World’s Hottest Tour.