Within the pages of Intervenxions Vol. 3, you'll find stories that frame history through the viewpoints of those left by the wayside by hegemonic narratives, that tap into people power, and showcase the value of our contributions.

Murray is weaving together two strands from her intellectual universe—art and law—into a single book: ‘We Make Each Other Beautiful: Art, Activism, and the Law.’

The Western notion of maps is a representation with no connection to the living reality of the territory.

The Mexican artist uses transmigratory world-building and nonlinear expressions to dismantle reductive perceptions of Latinx art and explore the politics of identity.

The ‘NEGRITA’ doc uses the racial descriptor as an entry point to discuss the lasting effects of colonialism in Latin America, the Caribbean, and its diasporas

United States of Banana, Braschi’s epic postmodern tragicomedy, has undergone several intermedia adaptations since its publication in 2011.

Ursula Villarreal-Moura discusses how the themes of social marginalization and the state of Latinx publishing emerge in her debut novel, ‘Like Happiness.’

With the Puerto Rico–based, Cuba-born artist Sánchez, we see work that gestures to the female body in its ever-changing forms.