

Photo by Antonia Holton-Raphael
Intervenxions is an online publication of TLP that features original writings, criticism, and interviews exploring contemporary Latinx Art, Politics, & Culture.
Ansonia Records and Dominican Merengue’s Place in Latin Music History
A comprehensive look at the Dominican artists featured in the catalogue of Ansonia Records, from mid-20th century onwards.
¿Conoces este disco de papi con Johnny Rodríguez y su trío?: Ansonia Records and Puerto Rico [Part II]
Digger deeper into the Ansonia Records catalogue reveals a rich assortment of genres such as bomba, plena, bolero, nueva trova, and more.
The Latin Music Legacy of Ralph Pérez and Ansonia Records
Uncovering the legacy of a pioneering 20th century figure in the American recording industry.
“Where We Were Safe”: Mapping Resilience in the 1970s Salsa Scene
"Where We Were Safe" is an interactive oral history map/archive about the lost and destroyed places of Salsa music in New York City. It offers deeper discussions about cultural erasure and community displacement in New York City.
Selena Forever: A Conversation with Deborah Paredez
The author of “Selenidad: Selena, Latinos, and the Performance of Memory” discusses Netflix’s upcoming series about the late Tejana superstar.
Exhibition Reviews
Book Reviews
Politics
Arts & Community
Queer Studies
Film & TV
Afro-Latinx Studies
Alford’s clarity about the relevance of Blackness to Latinx identity serves as a balm for feeling invisible to raceless Latina authors.
The ‘NEGRITA’ doc uses the racial descriptor as an entry point to discuss the lasting effects of colonialism in Latin America, the Caribbean, and its diasporas
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Submission & Editorial Guidelines
Intervenxions is an online publication of TLP that features original writings, criticism, and interviews exploring contemporary Latinx Art, Politics, & Culture. We accept pitches on a rolling basis.
Please read our submission guidelines to learn more.
Click here for the La Treintena open call for poetry books.
See our masthead here.