Photo by Antonia Holton-Raphael
Intervenxions is an online publication of TLP that features original writings, criticism, and interviews exploring contemporary Latinx Art, Politics, & Culture.
‘In the Summers’ Builds in Negative Space
'In the Summers' is a queer, Latin indie film, but the story is for everyone, touching on themes of forgiveness, family, coming-of-age, and failure.
The Playful Opacity of Justin Torres: On Blackouts
Indecencia [Review]
A new exhibition inspired by the work of queer Argentine theologian Marcella Althaus-Reid features a selection of Latinx artists exploring themes of religion, enfleshment, and sexuality.
Indecencia [Reseña]
Una nueva exposición inspirada en la obra de la teóloga queer argentina Marcella Althaus-Reid presenta una selección de artistas Latinx que investigan temas de religión, encarnación y sexualidad.
Mexican American Masks: The Art of Joel Hernandez
A profile of the San Francisco based artist on how their work with papier-mâché masks connects with themes of Mexican-American identity, the American dream, queer sexuality, and more.
Softness As Liberation: An Interview with Mixed Media Artist Moises Salazar
Moises Salazar shares how they’re leaning into healing, the pleasure in being a maximalist with their art practice, and why anyone can find themselves in their faceless colorful subjects.
Exhibition Reviews
Book Reviews
Politics
Arts & Community
Queer Studies
Film & TV
Afro-Latinx Studies
Alford’s clarity about the relevance of Blackness to Latinx identity serves as a balm for feeling invisible to raceless Latina authors.
The ‘NEGRITA’ doc uses the racial descriptor as an entry point to discuss the lasting effects of colonialism in Latin America, the Caribbean, and its diasporas
All Posts
Submission & Editorial Guidelines
Intervenxions is an online publication of TLP that features original writings, criticism, and interviews exploring contemporary Latinx Art, Politics, & Culture. We accept pitches on a rolling basis.
Please read our submission guidelines to learn more.
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