Luis Álvaro Sahagún Nuño’s 'Lo que me grita mi piel' sculpture is an autoethnographical and autobiographical soul retrieval.

In his new book, Mike Amezcua offers readers a powerful account of the radical transformation of Chicago’s urban landscape during the second half of the 20th century.

While this experimental film subverts established narratives on migration, representations about Mexico, or even “science” films, what gets lost along the way?

Mixed film reviews overlook the subtle nuance of this Mexican-American horror tale set in 1970s California.

Following her recent exhibition presented by TSA Chicago and Transmitter, the Chicago-based interdisciplinary artist discusses mapmaking as a form of documentation, the influence of public art, and researching her Mexican roots to find cross-cultural connections.