Photo by Antonia Holton-Raphael
Intervenxions is an online publication of TLP that features original writings, criticism, and interviews exploring contemporary Latinx Art, Politics, & Culture.
Magda Campos-Pons: Enshrining Afro-Caribbean Womanhood
Love Letter to Ana Mendieta
A personal reflection on the life and legacy of the influential Cuban-American artist.
Animating Memory: Affective Touch & Corporeality in the Work of Camilo Godoy and Carlos Martiel
Together, the work of artists Camilo Godoy and Carlos Martiel capture the immediacy of generating and reanimating collective memory.
Anthropocentric Fossils: On Christine Egaña Navin’s Circling the Square
The artist’s new solo exhibition converts six LED screens into roaring A-frame campfires to evoke “the fiery tension between control and chaos.”
El Futuro Es Ya: Calling Forward The Afrofuture
Perhaps A Fragment Is All We Have: On Stephanie Acosta’s “Good Day God Damn”
Featuring large-scale painting, video, sound, and light, the artist’s recent installation at the Chocolate Factory sits uncomfortably in the unknown.
Reclaiming Our Identity: Q&A with Afro-Cuban Artist Harmonia Rosales
Gallery Gurls founder Jasmin Hernandez interviews the Afro-Cuban artist on her most recent show, “Miss Education: Reclaiming Our Identity,” at the Museum of Contemporary African Diasporan Arts in Brooklyn.
Exhibition Reviews
Book Reviews
Politics
Arts & Community
Queer Studies
Film & TV
Afro-Latinx Studies
Alford’s clarity about the relevance of Blackness to Latinx identity serves as a balm for feeling invisible to raceless Latina authors.
The ‘NEGRITA’ doc uses the racial descriptor as an entry point to discuss the lasting effects of colonialism in Latin America, the Caribbean, and its diasporas
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Submission & Editorial Guidelines
Intervenxions is an online publication of TLP that features original writings, criticism, and interviews exploring contemporary Latinx Art, Politics, & Culture. We accept pitches on a rolling basis.
Please read our submission guidelines to learn more.
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