Through a research-based process, Liliana Farber’s works Terram in Aspectu (2019) and To Hold (2021) reveal the space between online and offline worlds where human input and algorithms can potentially coexist. For this presentation of Terram in Aspectu, Farber presents a series of nine satellite photographs that depict images of non-existent or phantom islands based on historical maps that were proven over time not to exist. In these inkjet prints, green grassy land masses rise out of the ocean with halos of varying shades of blues surrounding the earthly islands. Using a machine learning algorithm trained on Google Earth, she renders these non-existent islands into depictions of physical land masses. Farber’s work critically analyzes how even over time and with the advancements of information-based technology, there remains the possibility for errors and biased-based coding that potentially impacts geographic mapping and knowledge of our world. She ultimately generates a discussion on the role of technology in the mapping of spaces and worlds that exist between online and offline realms. Finally, Farber’s single-channel video To Hold furthers the conversation between technology and indexing of our world by depicting a catalog of single pixelated colors representing the oceans based on Google Earth readings.