Beatriz Cortez and rafa esparza
Beatriz Cortez was born and raised in El Salvador. She migrated to the United States in 1989 and settled in Phoenix, Arizona. She received a Ph.D. in Latin American literature from Arizona State University (1999) and later moved to Los Angeles, where she received an MFA in Art from the California Institute of the Arts (2015). Her work explores simultaneity, life in different temporalities and different versions of modernity, particularly in relation to memory and loss in the aftermath of war and the experience of migration, and in relation to imagining possible futures. Her work has been included in numerous solo and group exhibitions such as Trinidad: Joy Station at Craft Contemporary, Los Angeles; Made in L.A. 2018 at Hammer Museum, Los Angeles; Mundos Alternos: Art and Science Fiction in the Americas at the Queens Museum, New York; and Chronos Cosmos: Deep Time, Open Space at Socrates Sculpture Park, New York. Cortez has received the Rema Hort Mann Foundation Emerging Artist Grant (2018) and the California Community Foundation Fellowship for Visual Artists (2016), among other recognitions. She teaches in the Department of Central American Studies and Transborder Studies at California State University, Northridge.
rafa esparza was born and raised in Los Angeles. He is a multidisciplinary artist whose work reveals his interests in history, personal narratives, and kinship, his own relationship to colonization and the disrupted genealogies that it produces. Using live performance as his main form of inquiry, Esparza employs site-specificity, materiality, memory, and what he calls (non)documentation as primary tools to investigate and expose ideologies, power structures, and binary forms of identity that establish narratives, history, and social environments. Esparza’s recent projects are grounded in laboring with land and adobe making, a skill learned from his father, Ramón Esparza. In so doing, the artist invites Brown and Queer cultural producers to realize large-scale collective projects, gathering people together to build networks of support outside of traditional art spaces. Esparza is a recipient of the Rema Hort Mann Foundation Emerging Artist Grant (2015), California Community Foundation Fellowship for Visual Arts (2014), and Art Matters Foundation grant (2014). He has performed in art institutions such as the Whitney Museum of American Art, the Bemis Center for Contemporary Art, and Ballroom Marfa. His solo exhibition Staring at the Sun is currently on view at MASS MoCA in Massachusetts.
Codex (Nomad 13) contains the plans for the reproduction of Nomad 13, a garden space capsule that holds nourishing and healing plants grown in ancient times in the Americas: corn, black beans, amaranth, sorghum, quinoa, chayote or huisquil, chia, prickly pear, chilli pepper, yerba buena, yerba santa, sage, and a ceiba tree. It travels over an adobe platform made with soil from Los Angeles embedded with dormant seeds and accompanied by Xolotl, an ancient Aztec deity that guides those who traverse to different dimensions. Xolotl is made from the same material as the adobe bricks.
The codex holds the recipe and adobe making process that preserves the practice for future generations to understand this type of labor and way of being a steward to land. It also holds the plans for the construction of the steel structure that carries the garden into space and into the future. By sharing this information as pictographs in this virtual exhibition, the artists overcome potential language barriers and scientific codes, as they disregard national proprietary security regulations that space programs such as those of NASA and SpaceX have in place in order to keep information and data secret and inaccessible as part of a colonizing imaginary of space occupation.
In this gesture the artists share the knowledge that laborers hold through their daily practice and through the memories of their ancestors, so that it may be reproduced and it may multiply across borders as gifts of generosity to benefit unknown others in the future. In this way, the codex echoes a tradition of passing down and inheriting ancient knowledge, and contributing to its cosmic migration.
Codex (Nomad 13) is accompanied by documentation of different travels of Nomad 13 at the Torrance Art Museum in Torrance, California; Mundos Alternos: Art and Science Fiction in the Americas at UCR Arts in Riverside, California; SKibum Art Gallery at Tin Flats in Los Angeles, California; Craft Contemporary Museum in Los Angeles, California; and Museo de Arte Moderno de Bogotá (MAMBO) in Bogotá, Colombia.
Beatriz Cortez and rafa esparza. Nomad 13, 2017. Adobe bricks, steel, plastic, paper, soil, plants: corn, black bean, prickly pear, sorghum, amaranth, quinoa, chayote or huisquil, chia, chilli pepper, yerba buena, yerba santa, sage, and ceiba tree. Courtesy of the artists and Commonwealth and Council. Installation view at the MAMBO Museum in Bogotá, Colombia.
Beatriz Cortez and rafa esparza, Nomad 13 (and details), 2017. Adobe bricks, steel, plastic, paper, soil and plants indigenous to the Americas: Corn, black beans, sorghum amaranth, quinoa, chayote squash, chia, chili peppers, yerba buena, yerba santa, sage, and Ceiba tree. Dimensions: 7 x 8 x 8 feet. Courtesy of the artists and Commonwealth and Council. Photo: Gina Clyne. Installation view at Craft Contemporary Art Museum in Los Angeles.
Beatriz Cortez and rafa esparza. Nomad 13, 2017. Adobe bricks, steel, plastic, paper, soil, plants: corn, black bean, prickly pear, sorghum, amaranth, quinoa, chayote or huisquil, chia, chilli pepper, yerba buena, yerba santa, sage, and ceiba tree. Courtesy of the artists and Commonwealth and Council. Installation view at Skibum Art Gallery in Los Angeles.
Beatriz Cortez and rafa esparza. Nomad 13, 2017. Adobe bricks, steel, plastic, paper, soil, plants: corn, black bean, prickly pear, sorghum, amaranth, quinoa, chayote or huisquil, chia, chilli pepper, yerba buena, yerba santa, sage, and ceiba tree. Courtesy of the artists and Commonwealth and Council. Installation view at Torrance Art Museum.
Beatriz Cortez and rafa esparza. Nomad 13, 2017. Adobe bricks, steel, plastic, paper, soil, plants: corn, black bean, prickly pear, sorghum, amaranth, quinoa, chayote or huisquil, chia, chilli pepper, yerba buena, yerba santa, sage, and ceiba tree. Courtesy of the artists and Commonwealth and Council. Photo: Nicolay Maslov / UCR Arts. Installation view at UCR Arts in Riverside.